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All the while, Kechiche was trying to make the actors lose themselves, to create the feeling that everything in the film is happening in the moment.

It was like an existentialist experience. The toughest part, says Seydoux, was never knowing how long filming was going to last.

Then three. Filming eventually lasted five-and-a-half months, during which time they had to put their outside lives and friendships on hold.

Did Seydoux ever feel like quitting? But I spent a year with the director, I cut my hair, I dyed my hair, and I gave my heart.

Ultimately, the piece of art is what matters. And while Seydoux has reservations about the way Blue Is The Warmest Colour was made, she is justifiably pleased with the outcome.

We worked hard for the film. But the graphic, full-frontal lesbian sex scenes — one of which goes on for nearly eight minutes — raised eyebrows. Follow Metro.

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Credit: null. So overwhelmed were the members of the Cannes jury that they decided to give the Palme D'Or not only to the director, but, in an unprecedented move, to the two actresses, Lea Seydoux and Adele Exarchopoulos, as well.

The thrilled threesome were pictured on the red carpet kissing and hugging. In private, says Kechiche, Seydoux wept with joy.

A still from Blue is the Warmest Colour. Credit: Transmission Films. That was at the end of May. Then the backlash flipped into action.

Immediately after the Cannes premiere, a French film technicians' union criticised Kechiche for his ''disorganised'' approach to filming and for making demands on his crew that amounted to ''moral harassment'', a charge he denied.

At the same time, Julie Maroh, the author of the graphic novel on which the film was based, publicly criticised the film's ground-breaking sex scenes, describing them as ''ridiculous'' and questioning whether there had been any real, live lesbians on Kechiche's set.

Nothing Maroh said could douse the critics' rapture, however. Blue is the Warmest Colour was now a festival favourite, with the intensely serious Kechiche and its young stars asked to give dozens of interviews.

As their stock of stories gathered momentum, however, Kechiche began to emerge as something of a monster. Seydoux, the elder of the two actresses at 28, was quoted at Telluride Festival as saying, to website The Daily Beast , that working on the film was ''horrible'' and that she had felt ''like a prostitute''.

In the same interview, Exarchopoulos recounted how the director drove them on during a scene of a break-up. She was hitting me so many times, and [Kechiche] was screaming: 'Hit her!

Hit her again'! Both actresses had said similar things at Cannes, when the film was in its first heady rush of success. Talking about filming the sex scenes, the longest of which was filmed over 10 gruelling days, Seydoux said: ''It was sometimes embarrassing and sometimes illuminating, surrounded by three cameras in a very small room.

Sometimes you could spend like five hours on a scene. I felt like a prostitute. Credit: AP. She then went on to say how normal it felt, even when a model-maker came to make moulds for the silicone shields they wore over their genitals.

By the time they reached America, however, this reflective series of observations had been recast as fury. Kechiche responded with fury of his own.

Two days later, he told a press conference in Los Angeles that it was obscene for these young women to claim they had suffered. A month later, Kechiche wrote an open letter to Rue 89 news website that appeared to accuse the ''arrogant, spoilt'' Seydoux of slander and suggested she could explain herself in court.

The website responded by suggesting he could be seen as paranoid. It's better than being called 'tyrant' or 'despot','' he snapped back.

There is no question that making Blue is the Warmest Colour was intense, immersive and extremely demanding, especially for Exarchopoulos, who was only 18 and dropped out of school to make the film.

Sometimes they worked for 18 hours a day, although on other days Kechiche announced they were just going to drink coffee and talk. The shoot, supposed to take two months, took five.

Individual scenes were done dozens of times. Kechiche thinks he amassed hours of footage. He didn't just shoot on set, either.

It is fair to say a lot has happened in those 12 months. Publicly, there were smiles and tears of joy. In truth, Seydoux knew Blue… would be hard.

When she met Kechiche to discuss the project, he asked her to read the graphic novel first. Seydoux felt scared but this was normal. Even so, she likes the idea of taking risks.

And even the sex scenes… I wanted to experience how it would be to shoot things like that. Seydoux had limits, though. I need to have a distance.

She was expecting to be challenged. An extended sex scene between the actresses reportedly took ten days to shoot. All the while, Kechiche was trying to make the actors lose themselves, to create the feeling that everything in the film is happening in the moment.

It was like an existentialist experience. Okay, those are the arguments. And let me repeat that I believe this is a highly worthy debate.

This, of course, is a slippery slope of an argument, one that has the doctrinaire ring of identity politics.

Taken to its logical extreme, it could produce a kind of artistic fascism in which no one was allowed to play anyone who was very different from themselves.

And, of course, it also undercuts the very premise of what acting is. A hundred years ago, when D. Griffith made The Birth of a Nation , it was accepted in the culture at large that white actors could appear on screen in blackface.

Could Blue Is the Warmest Color amount to a case of straight actresses doing, in essence, the same thing? But that, I think, is not what this controversy is really about.

They cast a hot-and-heavy spell. Their faces, their bodies — the ravishing tableau of sensuality that they create begins, in no small part, with how they look.

But really! Would Blue Is the Warmest Color be a better movie if the two women in it looked like the actresses in the scruffy, groundbreaking lesbian mumblecore drama Go Fish?

Not everyone in movies has to be beautiful, of course, but one of the primal reasons that we go to the movies is to look at beauty.

Or are they 'male gaze' porn?

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